of the louvre
In an attempt to not bore anyone with all that I found fascinating in the Louvre (and there was a LOT, which isn’t so surprising considering it contains more than 380,000 objects and 35,000 works of art), I thought I’d just put up those that I found really, really interesting/fascinating.
So, here we have Milon de Crotone by Pierre Puget. I loved the intensity of the sculpture – it’s really the little things that culminate into something quite splendid, like the indentations of the lion’s claws digging into his thigh (I fancy seeing it like a freeze frame just before it actually does draw blood and make a bloody mess of the dude’s leg).
I think I’ve got a weakness for things such as Pierre Puget’s Alexandre et Diogene below – I think there’s something about the way how they just pop out at you… and again, I find it amazing how an artist can convey movement and emotion so well through such a hard medium.
There’s something about this statue’s expression and body language that caught my eye – anxious? nervous? worried? contemplative? He’s almost like shrunken into himself and that clasping of hands! Hmmm… So the plaque says that this is Gudea, Ruler of Lagash, a seated statue dedicated to the god. Interesting…
The Google-translated plaque tells me that this is part of the façade that adorned the throne room. Imagine living with those things looming over you as you pass through or come to see the king/emperor – you reckon it’s something that you won’t even notice over time? (Which I think would be such a shame, they’re so magnificent!! … The winged Taurus’s anyways)
Now this is something I wouldn’t want looming over me every day – so entirely intimidating!! There aren’t just one or two of these monstrosities in a room, rather there’s at least 66 of these in the courtroom in the palace of Darius the First. Oh, and mind you, this is just the top of the column, so they’d be totally looming over you as you walk by underneath, staring ever so sternly at you.
I love Ancient Egyptian stuff – I find it so fascinating (but sadly, like
everything else, it doesn’t seem to stick in my head who’s who and what’s what *sighs*). Hopefully I’ll be able to see a real live mummy (well, not really live but you know what I mean =P) and a sphinx in their native country.
What I normally do is take a photo of a work of art that piques my interest and then take a photo of its plaque so I know what the heck it is when I come to caption it. This statue drew me in with her languid pose and then struck me dumb with her anatomy: boobs and a penis. My thoughts pretty much went along the lines of “Eeeerrr… Am I seeing right?? Are those breasts? Is that…?? Omg!!! What the!!!” lol Anywho, so this sculpture is called Sleeping Hermaphrodite… Well… yes… duh much? (I suppose it got straight to the point though *sighs* No faffing about)
One of the most recognisable sculptures: Aphrodite (or also known as Venus de Milo). My brother asked why she’s so famous and I told him because of her missing arms because, well, that’s why I thought why she’s famous. He wasn’t convinced. haha
I noticed a lot of people don’t look up… above Aphrodite is this gorgeous, if ostentatious, façade and cherubs (?)… and then my brother spied an entirely overlooked statue, almost hidden among the gaggle of people gawking at Aphrodite.
“Is that her husband?” he asked, pointing to it. I looked over to see a statue of Apollo with missing arms. I giggled and told him that it wasn’t.
Now, the Louvre boasts of containing all these works of art in over 60,000 square metres of space – and that’s just for the permanent collection! – but I think it’s at such a number that the mind just boggles (well, I know mine did! lol). That factoid kind of fails to also include how big these halls really are:
Soaring ceilings, wonderfully high arches… I speculated aloud to my brother what it would be like living here back in its hey day of being a palace – even as a maid or something. It would have been really something…
Psyche and Cupid (or Google-translated plaque: Psyche Revived by the Kiss of Love) by A. Canova is such a pretty sculpture. I simply adore the body language and its simplicity in conveying emotion.
Ahhh, now this painting needs no introduction. She is smaller than you expected and they’ve cordon the area off so you’re at least 3-5 metres away in a semi-circle from her. Her keepers are also pretty nazi, but that’s totally understandable.
All over the museum (and all museums I’ve been to), if they allow photography, allows non-flash photography; seems like not a lot of people read signs or just don’t care. One of Mona Lisa’s nazi keepers actually waded through the crowd, shouting at people “No flash! No flash!!”, and tapping some of the closer offenders (I reckon she wanted to slap them across the back of their heads instead).
It looks like the room’s fairly well lit, but because it is a rather dark painting and you have to zoom to get a nice close up, the shutter speed can be quite slow… which really sucks when there’s lots of discreet pushing and shoving happening all around you, especially if you’re dead centre to the painting.
The Victory of Samothrace is beautifully majestic and, like all the photos I’ve take of the works of art here, does not do it any justice to how elegant and wonderful it really is.
At the beginning, we decided to split up (parents together, and me with my brother) and meet up at 3pm at the Cafe in the Richelieu wing (I amended it to 4pm, thinking that I’d really would like to make the most of finally being amongst the Louvre’s permanent collection). However, we somehow managed to bump into each other at the Victory of Samothrace and I realised that while it was only 2.30 I was really buggered! Mind you, we started at 11.30 as well… haha, no stamina or stamina leeched by my brother’s constant bored/annoying presence (which did get quite amusing near the end as he kinda went loopy from being so bored – in his defence, museums like this one are not his thing).
We decided not to go to the 2nd floor, which housed all the German, Belgian, Flemish and whatnot paintings, and I told my step mum that we’d meet them downstairs at the appointed place, as we’ve finished with all that we wanted to see. They still had to see the Mona Lisa, so my brother and I figured that they’d be done in about 30 minutes to 1 hour max.
Bought some lunch, munched on it and belated realised that we were lunching at the cafe in the Denon wing! We quickly scuttled over to the correct wing and waited… and waited… and waited…
Over an hour later (with my brother standing over at the Denon wing for about 15 minutes at a time), our parents turned up. They had gotten lost because my dad thought that if they exited the (Denon) wing, they would go all the way out and then wouldn’t be able to meet up with us. So they turned around and tried to navigate through the halls to Richelieu, which was on the other side… which would have taken at least 15-20 minutes to navigate if you knew where to go (well, that’s just my estimation and I could be totally off haha… could be maybe 10 minutes if the halls aren’t so crowded and you REALLY know where you’re going).
They were so stressed out and exhausted when we finally met up that they just wanted to go home.
And so we did… but not before some last parting shots:














































































































































